- If a guy treats you like he doesn’t give a shit, it’s because he doesn’t give a shit.
- If you can find him, then he can find you. If he wants to find you, he will.
- Men don’t forget how much they like you, so put down the phone.
- If a guy doesn’t call you, he doesn’t want to call you.
- Calling when you say you’re going to call is the very first brick in the house you are building of love and trust. If he can’t lay this one stupid brick down, you ain’t never gonna have a house, baby. And it’s cold outside.
- Don’t let the “honeys” and the “babys” fool you. His sweet nothings are exactly that. They are much easier to say than “I’m just not that into you.” Remember, actions speak louder than, “There’s no cell reception where I am right now.”
- A man who wants to make a relationship work will move mountains to keep the woman he loves. If he’s not calling you to tell you he loves you and wants you back, it should only be because he’s showing up at your new residence to do it in person… if he’s not doing any of that, he may love you, he may miss you, but ultimately he’s just not that into you. Stop taking his calls and let him know what it’s like to live without you.
- Don’t be flattered that he misses you. He should miss you. You’re deeply missable.
- Breakup sex still means you’re broken up.
- Cut him off. Let him miss you.
- The reason it’s so painful when someone disappears is you have to face the fact that the person you loved had probably left you a long time before he grabbed his coat and scrammed. The part is realizing that he was lying to you, in some way, before the moment of vanishing.
- Deciding to get back together with someone is a complicated and difficult decision. Just remember that the person you are getting back together with is the same person who, not long before, looked you in your beautiful face, took full stock of you and all your qualities, and told you that he was no longer in need of your company.
- He doesn’t need to be reminded that you’re great.
- There’s a guy out there who’s going to be really happy that you didn’t get back together with your crappy ex-boyfriend.
- Don’t give him the chance to reject you again.
- No matter how powerful and real your feelings may be for someone, if that person cannot fully and honestly return them and therefore actively love you back, these feelings mean nothing.
- “But sometimes we’re so focused on finding our happy ending we don’t learn how to read the signs. How to tell from the ones who want us and the ones who don’t, the ones who will stay and the ones who will leave. And maybe a happy ending doesn’t include a guy, maybe… it’s you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is… just… moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.”
" "
"Consider.Provoke.
Think.
Act.Speak.
(dis)Agree.Realize.
Change."
If this is a reflection
of my brain
it is [scattered]
but it's
"honest"
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did you know that there are over 7,300 islands in oceania area alone. just saying.
check yo facts.
(Source: lovequotesrus)
- 1. Caveat Emptor
(KAV-ee-OT emp-TOR): “Let the buyer beware”- 2. Persona Non Grata
(puhr-SOH-nah non GRAH-tah): “An unacceptable person”- 3. Habeas Corpus
(HAY-bee-as KOR-pus): “You have the body”- 4. Cogito Ergo Sum
(CO-gee-toe ER-go SOME): “I think, therefore I am”- 5. E Pluribus Unum
(EE PLUR-uh-buhs OOH-nuhm): “Out of many, one”- 6. Quid Pro Quo
(kwid proh KWOH): “You scratch my back, I’ll scratch yours”- 7. Ad Hominem
(ad HAH-mi-nem): “To attack the man”- 8. Ad Majorem Dei Gloriam
(ad-MA-yor-em DAY-ee GLOR-ee-um): “All for the Greater Glory of God”- 9. Memento Mori
(meh-MEN-toh MOR-ee): “Remember, you must die”- 10. Sui Generis
(SOO-ee JEN-er-is): “Of its own genus,” or “Unique and unable to classify”
![….i’m such a sucker…
bbook:
criterioncorner:
THIS IS THE STORY OF HOW ANNA KARINA & JEAN-LUC GODARD FIRST “GOT TOGETHER”
Anna Karina: That happened while we were shooting the picture in Geneva. It was a strange love story from the beginning. I could see Jean-Luc was looking at me all the time, and I was looking at him too, all day long. We were like animals. One night we were at this dinner in Lausanne. My boyfriend, who was a painter, was there too. And suddenly I felt something under the table – it was Jean-Luc’s hand. He gave me a piece of paper and then left to drive back to Geneva. I went into another room to see what he’d written. It said, “I love you. Rendezvous at midnight at the Café de la Prez.” And then my boyfriend came into the room and demanded to see the piece of paper, and he took my arm and grabbed it and read it. He said, “You’re not going.” And I said, “I am.” And he said, “But you can’t do this to me.” I said, “But I’m in love too, so I’m going.” But he still didn’t believe me. We drove back to Geneva and I started to pack my tiny suitcase. He said, “Tell me you’re not going.” And I said, “I’ve been in love with him since I saw him the second time. And I can’t do anything about it.” It was like something electric. I walked there, and I remember my painter was running after me crying. I was, like, hypnotized – it never happened again to me in my life.
So I get to the Cafe de la Prez, and Jean-Luc was sitting there reading a paper, but I don’t think he was really reading it. I just stood there in front of him for what seemed like an hour but I guess was not more that thirty seconds. Suddenly he stopped reading and said,” Here you are. Shall we go?” So we went to his hotel. The next morning when I woke up he wasn’t there. I got very worried. I took a shower, and then he came back about an hour later with the dress I wore in the film - the white dress with flowers. And it was my size, perfect. It was like my wedding dress.
We carried on shooting the film, and, of course, my painter left. When the picture was finished, I went back to Paris with Jean-Luc, Michel Subor, who was the main actor, and Laszlo Szabo, who was also in the film, in Jean-Luc’s American car. We were all wearing dark glasses and we got stopped at the border – I guess they thought we were gangsters. When we arrived in Paris, Jean-Luc dropped the other two off and said to me, “Where are you going?” I said, “I have to stay with you. You’re the only person I have in the world now.” And he said, “Oh my God.”
Extract taken from an interview with Anna Karina conducted by Graham Fuller in Projections 13: Women Film-makers on Film-making, edited by Isabella Weibrecht, John Boorman and Walter Donohue (Faber & Faber, 2004)
(via Focus Features)
[please insert my guttural weeping]](http://25.media.tumblr.com/tumblr_m4lh4xsk401qebry0o1_1280.jpg)
….i’m such a sucker…
THIS IS THE STORY OF HOW ANNA KARINA & JEAN-LUC GODARD FIRST “GOT TOGETHER”
Anna Karina: That happened while we were shooting the picture in Geneva. It was a strange love story from the beginning. I could see Jean-Luc was looking at me all the time, and I was looking at him too, all day long. We were like animals. One night we were at this dinner in Lausanne. My boyfriend, who was a painter, was there too. And suddenly I felt something under the table – it was Jean-Luc’s hand. He gave me a piece of paper and then left to drive back to Geneva. I went into another room to see what he’d written. It said, “I love you. Rendezvous at midnight at the Café de la Prez.” And then my boyfriend came into the room and demanded to see the piece of paper, and he took my arm and grabbed it and read it. He said, “You’re not going.” And I said, “I am.” And he said, “But you can’t do this to me.” I said, “But I’m in love too, so I’m going.” But he still didn’t believe me. We drove back to Geneva and I started to pack my tiny suitcase. He said, “Tell me you’re not going.” And I said, “I’ve been in love with him since I saw him the second time. And I can’t do anything about it.” It was like something electric. I walked there, and I remember my painter was running after me crying. I was, like, hypnotized – it never happened again to me in my life.
So I get to the Cafe de la Prez, and Jean-Luc was sitting there reading a paper, but I don’t think he was really reading it. I just stood there in front of him for what seemed like an hour but I guess was not more that thirty seconds. Suddenly he stopped reading and said,” Here you are. Shall we go?” So we went to his hotel. The next morning when I woke up he wasn’t there. I got very worried. I took a shower, and then he came back about an hour later with the dress I wore in the film - the white dress with flowers. And it was my size, perfect. It was like my wedding dress.
We carried on shooting the film, and, of course, my painter left. When the picture was finished, I went back to Paris with Jean-Luc, Michel Subor, who was the main actor, and Laszlo Szabo, who was also in the film, in Jean-Luc’s American car. We were all wearing dark glasses and we got stopped at the border – I guess they thought we were gangsters. When we arrived in Paris, Jean-Luc dropped the other two off and said to me, “Where are you going?” I said, “I have to stay with you. You’re the only person I have in the world now.” And he said, “Oh my God.”
Extract taken from an interview with Anna Karina conducted by Graham Fuller in Projections 13: Women Film-makers on Film-making, edited by Isabella Weibrecht, John Boorman and Walter Donohue (Faber & Faber, 2004)
(via Focus Features)
[please insert my guttural weeping]
Underwater Surfer
Photograph by Tony Heff, My Shot
Surfer Coco Ho is momentarily suspended weightless between the ocean’s surface and the shallow reef.
i’ve done that before.
(Source: thedailyfuckyeah)
>.< me
(Source: mysometime)
yes… =)
(Source: calikalie)
Grandmas watch Kardashian sex tape. THIS IS THE FUNNIEST THING I HAVE SEEN ALL DAY. I laughed SO so much. I love these women. Thank you Reddit for finding this
“His tongues’ as long as his dick.” I love them…oh my gosh.
this.
HAHHAHAHAHAHAHA!
WTF LMFAO
gold.
(Source: tranquillement)
Found on - LINK
